{"id":4349,"date":"2018-01-20T15:31:30","date_gmt":"2018-01-20T15:31:30","guid":{"rendered":"https:\/\/migrate1.artrights.me\/studio-visit-atelier-artista\/"},"modified":"2020-04-20T13:44:29","modified_gmt":"2020-04-20T13:44:29","slug":"studio-visit-artist-atelier","status":"publish","type":"post","link":"https:\/\/artrights.davidebaldi.com\/en\/studio-visit-artist-atelier\/","title":{"rendered":"The artist&#8217;s atelier. The secrets for a successful Studio visit"},"content":{"rendered":"<h2 style=\"text-align: center;\"><span style=\"color: #dd9900;\">The secrets for a successful studio visit<\/span><\/h2>\n<h2><b>The Studio Visit is an opportunity for artists to narrate their artistic research within their atelier. <\/b><\/h2>\n<h2 class=\"Corpo\"><b><i>We must be careful not to make certain mistakes and risk losing interesting opportunities&#8230;<\/i><\/b><\/h2>\n<p><!--more--><\/p>\n<p><span style=\"font-weight: 400;\">The artists&#8217; studio offers, to those lucky enough to <\/span><span style=\"font-weight: 400;\">have this experience<\/span><span style=\"font-weight: 400;\">, a privileged <strong>&#8220;front row&#8221;<\/strong> perspective on the life and the creative process of the artist.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Organising meetings in the ateliers is a common practice in the art world, useful to strengthen the relationship with curators, gallery owners and collectors: provided <\/span><span style=\"font-weight: 400;\">as long as<\/span><span style=\"font-weight: 400;\"> you know how to speak clearly about your work, there will be plenty of opportunities.<\/span><\/p>\n<p><strong>But something could go wrong&#8230;<\/strong><\/p>\n<p><em><strong>Let&#8217;s see then some mistakes to avoid during a Studio Visit:<\/strong><\/em><\/p>\n<p><strong>Taking everything for granted<\/strong><\/p>\n<p><span style=\"font-weight: 400;\">Being a young artist with an emerging career or having the first succesful feedbacks<\/span><span style=\"font-weight: 400;\">\u00a0in the art world, should not make you think that everyone knows what you have done during<\/span><span style=\"font-weight: 400;\">\u00a0your career so far.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Telling about yourself, emphasising<\/span><span style=\"font-weight: 400;\">\u00a0the main experiences between exhibitions and projects where you took part<\/span><span style=\"font-weight: 400;\">, is always a great start.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">If you d<\/span><span style=\"font-weight: 400;\">o it with humility and with the spirit of sharing your experiences, you will put at ease the person you have welcomed and &#8220;break the ice&#8221;.<\/span><\/p>\n<p>[emaillocker id=4040]<\/p>\n<p><strong>Being self-centred<\/strong><\/p>\n<p><span style=\"font-weight: 400;\">Dialogue is part of the process of discovering your work.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Those who visit your atelier are already interested in the artistic practice you are carrying out, but it is likely for them not to specify the reason immediately.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">After telling when, how and why you have started a certain phase of your research, leave room for dialogue.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The critical thinking of someone else<\/span><span style=\"font-weight: 400;\">\u00a0who talk about your work may surprises you and in some cases helps you develop new creative processes.<\/span><\/p>\n<p><strong>Being negative<\/strong><\/p>\n<p><span style=\"font-weight: 400;\">A Studio Visit is a business meeting, so unless you are very familiar with the person you are hosting, maintain a professional attitude.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Do not talk badly about others (<\/span><span style=\"font-weight: 400;\">whether they are artist<\/span><span style=\"font-weight: 400;\">s or colleagues of <\/span><span style=\"font-weight: 400;\">who is<\/span><span style=\"font-weight: 400;\"> listening to you), do not start talking about your sentimental situation, let alone the economic situation.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">If that person wants to exhibit, buy or talk about your works, he will not do it because <\/span><span style=\"font-weight: 400;\">he took pity on<\/span><span style=\"font-weight: 400;\"> your misadventures&#8230;<\/span><\/p>\n<p><strong>&#8220;That work is not available&#8221;<\/strong><\/p>\n<p><span style=\"font-weight: 400;\">So why<\/span><span style=\"font-weight: 400;\">\u00a0are you showing\u00a0<\/span><span style=\"font-weight: 400;\">it to me?&#8221;<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Error never to be made, especially with professionals such as gallery owners and collectors.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Both will remember the only work they could not have, rather than the available <\/span><span style=\"font-weight: 400;\">ones<\/span><span style=\"font-weight: 400;\">.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Prepare your atelier as if to create a personal exhibition, based on the works available and that are close to the latest phases of your research.<\/span><\/p>\n<p><strong>And above all, they are all for sale!<\/strong><\/p>\n<p><span style=\"font-weight: 400;\">Where <\/span><span style=\"font-weight: 400;\">if<\/span><span style=\"font-weight: 400;\"> they are not, because already sold, or booked for an exhibition, then tell your guest immediately and let him or her decide <\/span><span style=\"font-weight: 400;\">if they want to see it<\/span><span style=\"font-weight: 400;\">\u00a0anyway, maybe to get a better idea of \u200b\u200byour art, but beware, the choice must be exclusively his or hers.<\/span><\/p>\n<p><strong>Ignoring the role of your interlocutor<\/strong><\/p>\n<p><span style=\"font-weight: 400;\">Talking to a curator will be very different from talking to a gallery owner or collector.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Establish key points to highlight, which can allow the different figures to understand your work for the sector of the art world to which they belong.<\/span><\/p>\n<p><strong>Being self-congratulatory<\/strong><\/p>\n<p><span style=\"font-weight: 400;\">Let the people you have welcomed in the atelier develop a critical and comprehensive<\/span><span style=\"font-weight: 400;\">\u00a0opinion about your work.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Making statements with which you boast of past\u00a0<\/span><span style=\"font-weight: 400;\">or future successes will make you look unpleasant and devoid of humility.<\/span><\/p>\n<p><em><strong>Do not miss the opportunity to learn more about your collector, or vice versa your favourite artist, on the occasion of a visit to his or her atelier, it could prove to be a unique opportunity!<\/strong><\/em><\/p>\n<p>[\/emaillocker]<\/p>\n<h3 style=\"text-align: center;\"><em><strong>Have a good Studio Visit!!<\/strong><\/em><\/h3>\n","protected":false},"excerpt":{"rendered":"<p>The secrets for a successful studio visit The Studio Visit is an opportunity for artists to narrate their artistic research within their atelier. We must be careful not to make certain mistakes and risk losing interesting opportunities&#8230;<\/p>\n","protected":false},"author":4,"featured_media":3633,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[343],"tags":[253,505,506,473,513],"class_list":{"0":"post-4349","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-artists-en","8":"tag-art-rights-en","9":"tag-artist-profession","10":"tag-artist-promotion","11":"tag-becoming-an-artist","12":"tag-studio-visit-en"},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v24.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>The Secrets For A Succesful Studio Visit | Art Rights Magazine<\/title>\n<meta name=\"description\" content=\"The artists&#039; study offers, to those lucky enough to have this experience, a privileged &quot;front row&quot; perspective on the life and the creative process of the artist. 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