{"id":4289,"date":"2018-02-21T14:58:27","date_gmt":"2018-02-21T14:58:27","guid":{"rendered":"https:\/\/migrate1.artrights.me\/contratti-tra-artista-e-galleria\/"},"modified":"2020-04-20T13:43:14","modified_gmt":"2020-04-20T13:43:14","slug":"contracts-artist-and-gallery","status":"publish","type":"post","link":"https:\/\/artrights.davidebaldi.com\/en\/contracts-artist-and-gallery\/","title":{"rendered":"The Contracts between gallerist and artist"},"content":{"rendered":"<h2 style=\"text-align: center;\"><span style=\"color: #dd9900;\">THE 3 MAIN CONTRACTS BETWEEN ARTIST AND GALLERY<\/span><\/h2>\n<section class=\"content-section full-width with-col cover pb-70 pb-xs-50 rella-no-margin content-section-5a71cb13dc9ff\">\n<div class=\"row vc_row-fluid\">\n<div class=\"wpb_column col-md-12\">\n<div class=\"section-text text-block \">\n<h1 class=\"Corpo\"><strong>In Italy, still few artists sign contracts with galleries, relying on a relationship of mutual trust, but the risks for both are around the corner.<\/strong><\/h1>\n<p class=\"Corpo\"><strong><!--more--><\/strong><\/p>\n<h2><strong>The relationships between artists and galleries are usually born from a mutual appreciation for the quality of the work supported by both parties, where a handshake and an oral contract of collaboration\u00a0 seem to be worth more than a written one.<\/strong><\/h2>\n<p><span style=\"font-weight: 400;\">Although the &#8220;word of honour&#8221; does not appear to be ineffective for the purposes of collaboration, it is important for the artist and also for the gallery to emphasise the fact that this is a business relationship, which can be regulated by different types of contracts aimed at the sale.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Among the main ones, we can mention:<\/span><\/p>\n<ul>\n<li><span style=\"font-weight: 400;\">The<\/span><b>\u00a0consignment contract<\/b>\u00a0<span style=\"font-weight: 400;\">or more commonly known as sale on consignment is mainly used in occasional collaborations between an artist and a gallery.<\/span><span style=\"font-weight: 400;\">The gallery receives, along with a document listing the works consigned by the artist, the <\/span><span style=\"font-weight: 400;\">\u00a0artworks<\/span><span style=\"font-weight: 400;\"> that it commits to sale <\/span><span style=\"font-weight: 400;\">or return <\/span><span style=\"font-weight: 400;\">within a set period. The artist maintains the property until the artwork\u00a0<\/span><span style=\"font-weight: 400;\">it is sold<\/span><span style=\"font-weight: 400;\">.<\/span><span style=\"font-weight: 400;\"> The eventual<\/span><span style=\"font-weight: 400;\"> revenue is divided according to a percentage agreed between the two parties.<\/span><\/li>\n<\/ul>\n<ul>\n<li><span style=\"font-weight: 400;\">The <\/span><b>exclusive contract<\/b><span style=\"font-weight: 400;\">\u00a0involves, for a maximum of 5 years, the obligation for the artist to reserve all his or her production for the gallery, receiving a monthly income if so agreed.<\/span><\/li>\n<li><span style=\"font-weight: 400;\">The <\/span><b>purchase agreement<\/b><span style=\"font-weight: 400;\"> involves the purchase of an artist&#8217;s production by the gallery, which aquires exclusive ownership of the works.<\/span><\/li>\n<\/ul>\n<p><span style=\"font-weight: 400;\">While bearing in mind that even in the absence of a written contract, the obligations, rights and responsibilities between the artist and the gallery are still in place, setting the conditions for a written contract with legal effect is always a safeguard for both parties. <\/span><span style=\"font-weight: 400;\">Therefore,<\/span><span style=\"font-weight: 400;\"> it is better not to risk misunderstandings and to prevent possible litigation, possibly turning to specialised consultants who are able to advise according to the best contractual solution.<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/section>\n<section class=\"content-section full-width with-col cover pb-70 pb-xs-50 rella-no-margin content-section-5a71cb13dc9ff\">\n<div class=\"row vc_row-fluid\">\n<div class=\"wpb_column col-md-12\">\n<div class=\"section-text text-block \">\n<h3 style=\"text-align: center;\"><strong>Trust is good, but protecting yourself is better. <\/strong><\/h3>\n<h3 style=\"text-align: center;\"><strong>What about you, are you protecting your art?<\/strong><\/h3>\n<\/div>\n<\/div>\n<\/div>\n<\/section>\n","protected":false},"excerpt":{"rendered":"<p>THE 3 MAIN CONTRACTS BETWEEN ARTIST AND GALLERY In Italy, still few artists sign contracts with galleries, relying on a relationship of mutual trust, but the risks for both are around the corner.<\/p>\n","protected":false},"author":4,"featured_media":11916,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[343],"tags":[35,40,38,227,226,471,39,187],"class_list":{"0":"post-4289","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-artists-en","8":"tag-art-rights","9":"tag-autentica-opera-darte","10":"tag-catalogo-ragionato","11":"tag-collezione-darte","12":"tag-collezionismo","13":"tag-copyriright","14":"tag-corredo-opera-darte","15":"tag-galleria-darte"},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v24.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>3 Main Contracts Between Artist &amp; 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