{"id":23012,"date":"2021-04-26T10:17:16","date_gmt":"2021-04-26T10:17:16","guid":{"rendered":"https:\/\/www.artrights.me\/art-tech-report-di-artnet-2021\/"},"modified":"2021-04-26T10:39:33","modified_gmt":"2021-04-26T10:39:33","slug":"art-tech-report-by-artnet-2021","status":"publish","type":"post","link":"https:\/\/artrights.davidebaldi.com\/en\/art-tech-report-by-artnet-2021\/","title":{"rendered":"Art &#038; Tech Report by Artnet 2021"},"content":{"rendered":"\n<h2 class=\"has-text-align-center wp-block-heading\" id=\"h-art-tech-report-by-artnet-2021\"><strong>Art &amp; Tech Report by Artnet 2021<\/strong><\/h2>\n\n\n\n<p><strong><strong>Platform Artnet has released the latest edition of its Intelligence Report, which offers a glimpse of what the art market will look like when it comes out of lockdown.\u00a0<\/strong><\/strong><\/p>\n\n\n\n<p>The latest edition of the Art <a href=\"https:\/\/www.artnet.com\/artnet-intelligence-report\" class=\"broken_link\"><strong>&amp; Tech Report <\/strong><\/a>produced by Artnet in collaboration with Artnet <a href=\"https:\/\/www.artnet.com\/price-database\/\"><strong>Price, <\/strong><\/a>which brings some optimism in a very difficult period for the evolving art market.<\/p>\n\n\n\n<p>Despite the pandemic, <a href=\"https:\/\/www.artrights.me\/2021-deloitte-art-finance-report\/\"><strong>the art market seems to have withstood the global economic crisis <\/strong><\/a>thanks to the sector&#8217;s <strong>digitization <\/strong>process which, although late and non-strategic, has required major investments to avoid collapse.<\/p>\n\n\n\n<p>The Report reports that total sales volume of <strong>$10.1 billion <\/strong>was down a modest <strong>25% <\/strong>from 2019.<\/p>\n\n\n\n<p><strong>China <\/strong>has officially overtaken the United States as the <strong>largest auction market in the world<\/strong>, worth over <strong>$3.4 billion<\/strong>. In fact, in 2020, China saw a very small decline of <strong>0.1%, <\/strong>while the US and UK saw losses of around <strong>35%<\/strong>.<\/p>\n\n\n\n<p><a href=\"https:\/\/www.sothebys.com\/en\/\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>Sotheby&#8217;s <\/strong><\/a>surpassed rival Christie<a href=\"https:\/\/www.christies.com\/\"><strong>&#8216;s in <\/strong><\/a>art sales, grossing <strong>$2.7 billion <\/strong>in 2020, while Christie&#8217;s came in at <strong>$2.4 billion <\/strong>with 40% less revenue than in 2019. Sotheby&#8217;s was down <strong>28% <\/strong>and Phillips was down <strong>19%<\/strong>.<\/p>\n\n\n\n<p>Unprecedented results are coming from the <strong>online art market<\/strong>, <a href=\"https:\/\/www.artrights.me\/il-successo-delle-aste-online\/\">especially those related to auctions<\/a>: <strong>Christie&#8217;s, Sotheby&#8217;s and Phillips <\/strong>recorded a total of <strong>$1 billion in online sales alone in 2020<\/strong>, or <strong>+1,056% from 2019<\/strong>.<\/p>\n\n\n\n<p><strong>$35,698 <\/strong>is the <strong>average price of an artwork <\/strong>sold at auction in 2020, the lowest figure in eight years. <strong>What happened?<\/strong><\/p>\n\n\n\n<p>Online sales have increased, but nevertheless <strong>collectors have been cautious about buying online <\/strong>because they are not yet 100% confident in the <strong>security <\/strong>and <strong>transparency <\/strong>of the digital marketplace.<\/p>\n\n\n\n<p>Also significant is the <strong>growth &#8211; as reported in the Artnet Report &#8211; of the market for &#8220;ultra contemporary&#8221; art, <\/strong>i.e. that produced by artists born after 1974, which recorded <strong>an increase in sales <\/strong>of <strong>32.5%<\/strong>. In first place in the ranking of the best-selling young artists is <a href=\"https:\/\/www.pacegallery.com\/artists\/adrian-ghenie\/\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>Adrian Ghenie <\/strong><\/a>with his work <em>&#8220;Lidless Eye&#8221; which <\/em>sold for <strong>$7,086,543<\/strong>.<\/p>\n\n\n\n<p><strong>The Contemporary art market <\/strong>also performed well: <strong>four of the ten best-selling Contemporary artworks <\/strong>were by <strong>Chinese artists<\/strong>. In first place among the best-selling Contemporary artists was <strong>Zeng Fanzhi<\/strong>, followed by <strong>Peter Doig, Jean-Michel Basquiat and Yoshitomo Nara.<\/strong><\/p>\n\n\n\n<p><strong>Post-War <\/strong>art also remained stable: in first place was <strong>Roy Lichtenstein ($46,242,500), followed by David Hockney ($41,067,500) and Cy Twombly ($38,685,000).<\/strong><\/p>\n\n\n\n<p>There is a slight increase in the number of <strong>women <\/strong>among the 100 best-selling artists at auction in 2020: there <strong>are eight<\/strong>, just one more than in 2019. Among them, the top sellers are <strong>Joan Mitchell, Yayoi Kusama and Tamara de Lempicka<\/strong>.<\/p>\n\n\n\n<p>The <strong>great revelation of 2020 was <\/strong>the artist, represented by <a href=\"https:\/\/www.pacegallery.com\/\" target=\"_blank\" rel=\"noreferrer noopener\">Pace Gallery<\/a>, <a href=\"https:\/\/robnava.com\/home.html\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>Robert Nava<\/strong><\/a>, harshly criticized for his &#8220;unproductive&#8221; art but <strong>insanely loved by collectors <\/strong>willing to spend incredible sums on his paintings: <strong>&#8220;The Tunnel&#8221; (2019) <\/strong>estimated between $40,000 and $60,000 sold for <strong>$162,500.<\/strong><\/p>\n\n\n\n<p><em>And you, are you ready to discover Artnet&#8217;s Art&amp;Tech Report 2021?<\/em><\/p>\n\n\n\n<p>Photo Credits: Boston Globe via Getty Images<\/p>\n\n\n\n<h3 class=\"has-text-align-center wp-block-heading\" id=\"h-\"><\/h3>\n","protected":false},"excerpt":{"rendered":"<p>The Artnet platform has published the latest edition of the Intelligence Report which offers a taste of the post lockdown art market<\/p>\n","protected":false},"author":4,"featured_media":23009,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[252],"tags":[1409,751,451,361],"class_list":{"0":"post-23012","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-art-world-en","8":"tag-art-market-2-en","9":"tag-case-dasta-en","10":"tag-christies-en","11":"tag-sothebys-en"},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v24.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Art &amp; 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The Museum of Fine Arts on Wednesday introduced a new way of welcoming school groups, part of its ongoing response to allegations that a group of minority middle-school students were subjected to racism during a spring field trip there. The museum has overhauled its pre-visit interactions with students, as well as the way school groups move through the museum once they arrive. Starting this month, teachers will fill out a questionnaire, and students will be able to watch a nuts-and-bolts video before visiting. The video, featuring two teenagers of color, details what to expect on a field trip at the MFA, down to the door students will use to enter and the type of bin they will drop their backpacks into. The museum is also planning to hire gallery hosts who will be stationed throughout the exhibits to answer questions and offer insights. And it will introduce a hotline that school groups can call inside the museum if they have problems. 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